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But we would not perceive all of those pitches as sounding the same, and we wouldn’t give them the same kind of value in a musical context. A piano could do it a violin could do it a cat could do it a leaf blower could do it.
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I could vibrate my voice at 440 hertz, and you could do the same. “I love your question, because it actually brings up one of the more interesting musical concepts that people don’t get to really think about often, which is something called timbre,” Sloan replied. Satisfied the computer is tallying pitch on Sing On! correctly, I asked him point blank: So why do I disagree with so many of the more accurate performances on this show? Why don’t they sound good to me? In this way, pitch is a very scientific or easy-to-analyze musical aspect. “The slower it vibrates, the lower the pitch is. “Pitch refers to how quickly the note is vibrating, and the faster a note vibrates, the higher pitch it is,” Sloan told me by phone. What is a pitch analyzer really measuring, and could the show’s computer be less accurate than the show thinks it is? So I reached out to Nate Sloan, assistant professor of musicology at University of Southern California and cohost of Switched on Pop, a podcast analyzing popular music, to help me make sense of these pitch scores. Money gets added or subtracted in each round whomever is left standing at the end of the episode will receive the cumulative sum of everyone’s winnings, up to a possible total of $60,000. The more allegedly accurate they are, the more cash they pile up in a jackpot. Audiences are privy to each singer’s numerical pitch-accuracy percentage as well as a visual tracking of whether they’re hitting, and holding, each note.
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They take turns providing vocals to hits with a live backing band, with episodes themed around categories like “Summer Anthems” or “’80s Mixtape.” The show’s central feature is a vocal-analyzer machine created just for Sing On!, which tracks the accuracy of each singer’s pitch in real time.įor each number, different verses and choruses are bounced around at random to each of the six singers, who, we’re told, don’t know when it will be their turn to sing until the moment they’re signaled. Sing On!, boosted by the boisterous charm of host Tituss Burgess, has six non-professional-singer contestants occupy a neon-lit stage with a sing-along audience cheering them on.
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The series also uses a bonkers scoring and voting system that constantly threatens to rob the good singers of any validation-a process that provokes fascination and madness, often simultaneously.įirst, the premise.
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The late Silver Jews frontman David Berman, himself in possession of an offbeat and occasionally off-kilter baritone, once sang, “All my favorite singers couldn’t sing.” The new Netflix competition Sing On! bears this out, delivering on the thrill and secondhand embarrassment of watching karaoke singers do their best imitations of the real deal.